City of Sedition
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|Author||: John Strausbaugh|
WINNER OF THE FLETCHER PRATT AWARD FOR BEST NON-FICTION BOOK OF 2016 In a single definitive narrative, CITY OF SEDITION tells the spellbinding story of the huge-and hugely conflicted-role New York City played in the Civil War. No city was more of a help to Abraham Lincoln and the Union war effort, or more of a hindrance. No city raised more men, money, and materiel for the war, and no city raised more hell against it. It was a city of patriots, war heroes, and abolitionists, but simultaneously a city of antiwar protest, draft resistance, and sedition. Without his New York supporters, it's highly unlikely Lincoln would have made it to the White House. Yet, because of the city's vital and intimate business ties to the Cotton South, the majority of New Yorkers never voted for him and were openly hostile to him and his politics. Throughout the war New York City was a nest of antiwar "Copperheads" and a haven for deserters and draft dodgers. New Yorkers would react to Lincoln's wartime policies with the deadliest rioting in American history. The city's political leaders would create a bureaucracy solely devoted to helping New Yorkers evade service in Lincoln's army. Rampant war profiteering would create an entirely new class of New York millionaires, the "shoddy aristocracy." New York newspapers would be among the most vilely racist and vehemently antiwar in the country. Some editors would call on their readers to revolt and commit treason; a few New Yorkers would answer that call. They would assist Confederate terrorists in an attempt to burn their own city down, and collude with Lincoln's assassin. Here in CITY OF SEDITION, a gallery of fascinating New Yorkers comes to life, the likes of Horace Greeley, Walt Whitman, Julia Ward Howe, Boss Tweed, Thomas Nast, Matthew Brady, and Herman Melville. This book follows the fortunes of these figures and chronicles how many New Yorkers seized the opportunities the conflict presented to amass capital, create new industries, and expand their markets, laying the foundation for the city's-and the nation's-growth.
|Author||: John Strausbaugh|
From John Strausbaugh, author of City of Sedition and The Village, comes the definitive history of Gotham during the World War II era. New York City during World War II wasn't just a place of servicemen, politicians, heroes, G.I. Joes and Rosie the Riveters, but also of quislings and saboteurs; of Nazi, Fascist, and Communist sympathizers; of war protesters and conscientious objectors; of gangsters and hookers and profiteers; of latchkey kids and bobby-soxers, poets and painters, atomic scientists and atomic spies. While the war launched and leveled nations, spurred economic growth, and saw the rise and fall of global Fascism, New York City would eventually emerge as the new capital of the world. From the Gilded Age to VJ-Day, an array of fascinating New Yorkers rose to fame, from Mayor Fiorello La Guardia to Franklin and Eleanor Roosevelt, Langston Hughes to Joe Louis, to Robert Moses and Joe DiMaggio. In Victory City, John Strausbaugh returns to tell the story of New York City's war years with the same richness, depth, and nuance he brought to his previous books, City of Sedition and The Village, providing readers with a groundbreaking new look into the greatest city on earth during the most transformative -- and costliest -- war in human history.
|Author||: Katharine Grant|
Motherless Alathea Sawneyford, her charms grown disturbing as she rebels against her father, has made the city's streets her own, while Annie Cantabile is constrained, by her own disfigurement and her father, to his pianoforte workshop under the shadow of Tyburn gibbet. One afternoon the dusty workshop receives a visitor. A man, representing an unscrupulous band of City speculators, Alathea's father among them, require a pianoforte and its charming teacher to find titled husbands for all their daughters: sisters Evelina and Marianne; stolid Harriet and pale, pining Georgiana. It seems an innocent enough plan but these are subversive times and perhaps even a drawing-room piano lesson isn't exactly what it seems. All of which will suit Alathea perfectly. Fierce and bawdy, uproarious and exquisite, Sedition takes its plot at a racing gallop: bold, beautiful and captivating, it is a narrative masterpiece.
|Author||: E.M. Wright|
|Editor||: The Parliament House|
"Fast-paced, clever, and allegorical, this novel considers what makes people human after all. Sedition is powerful because of its social commentary, compelling setting, and unexpected heroine." -Camille-Yvette Welsch, FORWARD REVIEWS She was created for more than slavery; she was built for rebellion. In an alternate Victorian England, clockwork cyborgs provide the primary source of labor for the upper class. Known as biomatons, they are property by law and have been manipulated and mind-controlled into subservience. Taryn Roft, a 17-year-old girl, attending classes at Grafton's School of Mechanicks in London has a secret. What's even worse—she cannot remember anything before her twelfth birthday. When a mysterious privateer discovers her secret, he offers her an ultimatum: accompany him to his airship, or her secret will be revealed to everyone. For Taryn, it's not much of a choice. Facing prejudice and cruelty may be nothing new to the only girl at an all-boys' school, but the further from home she gets, the darker her situation becomes.
|Author||: Terri Diane Halperin|
|Editor||: JHU Press|
Touching on the major sedition trials while expanding the discussion beyond the usual focus on freedom of speech and the press to include the treatment of immigrants, Halperin’s book provides a window through which readers can explore the meaning of freedom of speech, immigration, citizenship, the public sphere, the Constitution, and the Union.
|Author||: Nicole Loraux|
Athens, 403 B.C.E. The bloody oligarchic dictatorship of the Thirty is over, and thedemocrats have returned to the city victorious. Renouncing vengeance, in an act of willful amnesia,citizens call for -- -if not invent -- -amnesty. They agree to forget the unforgettable, the "pastmisfortunes," of civil strife or stasis. More precisely, what they agree to deny is that stasis ---simultaneously partisanship, faction, and sedition -- -is at the heart of their politics.Continuinga criticism of Athenian ideology begun in her pathbreaking study The Invention of Athens, NicoleLoraux argues that this crucial moment of Athenian political history must be interpreted asconstitutive of politics and political life and not as a threat to it. Divided from within, the cityis formed by that which it refuses. Conflict, the calamity of civil war, is the other, dark side ofthe beautiful unitary city of Athens. In a brilliant analysis of the Greek word for voting,diaphora, Loraux underscores the conflictual and dynamic motion of democratic life. Voting appearsas the process of dividing up, of disagreement -- -in short, of agreeing to divide and choose. Notonly does Loraux reconceptualize the definition of ancient Greek democracy, she also allows thecontemporary reader to rethink the functioning of modern democracy in its critical moments ofinternal stasis.
|Author||: Tyler Anbinder|
|Editor||: Houghton Mifflin Harcourt|
"Told brilliantly, even unforgettably ... An American story, one that belongs to all of us." — Boston Globe “A richly textured guide to the history of our immigrant nation’s pinnacle immigrant city has managed to enter the stage during an election season that has resurrected this historically fraught topic in all its fierceness.” — New York Times Book Review New York has been America’s city of immigrants for nearly four centuries. Growing from Peter Minuit’s tiny settlement of 1626 to a clamorous metropolis with more than three million immigrants today, the city has always been a magnet for transplants from all over the globe. City of Dreams is the long-overdue, inspiring, and defining account of New York’s immigrants, both famous and forgotten: the young man from the Caribbean who relocated to New York and became a founding father; Russian-born Emma Goldman, who condoned the murder of American industrialists as a means of aiding downtrodden workers; Dominican immigrant Oscar de la Renta, who dressed first ladies from Jackie Kennedy to Michelle Obama. Over ten years in the making, Tyler Anbinder’s story is one of innovators and artists, revolutionaries and rioters, staggering deprivation and soaring triumphs. In so many ways, today’s immigrants are just like those who came to America in centuries past—and their stories have never before been told with such breadth of scope, lavish research, and resounding spirit. “A masterful achievement, City of Dreams is the definitive account of the American origin story, as told through our premier metropolis. Bold, exhaustive, always surprising, Anbinder’s book is a wonderful reminder of how we came to be who we are.” — Timothy Egan, best-selling author of The Immortal Irishman
|Author||: Clemens P. Work|
|Editor||: UNM Press|
Today's threats against freedom of speech echo the hysteria of World War I, when Americans went to prison for dissent. This cautionary tale focuses on events in Montana and the West that led to the suspension of this crucial right.
|Author||: Anushka Singh|
|Editor||: Oxford University Press|
Examining the relationship between sedition and liberal democracies, particularly in India, this book looks at the biography of sedition laws, its contradictory position against free speech, and democratic ethics. Recent sedition cases registered in India show that the law in its wide and diverse deployment was used against agitators in a community-based pro-reservation movement, group of university students for their alleged ‘anti-national’ statements, anti-liquor activists, and anti-nuclear movement, to name a few. Set against its contemporary use, this book has used sedition as a lens to probe the fate of political speech in liberal democracy. The lived reality of the law of sedition in changing anthropological sites is juxtaposed with its positivist existence. Anushka Singh uses a comparative framework keeping in focus the Indian experience backed by fieldwork in Haryana, Maharashtra, and Delhi, and includes a comparative perspective from England, the USA, and Australia to contribute to debates on sedition within liberal democracies at large, especially in the wake of the proliferation of counter-terror legislations.
|Author||: Michael Nava|
|Editor||: University of Wisconsin Pres|
In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán. Miguel is a principled young doctor, only recently returned from Europe but wracked by guilt for a crime he committed as a medical student ten years earlier. Alicia is the spinster daughter of an aristocratic family. Disfigured by smallpox, she has devoted herself to working with the city’s destitute. This unlikely pair—he a scientist and atheist and she a committed Christian—will marry. Through their eyes and the eyes of their young son, José, readers follow the collapse of the old order and its bloody aftermath. The City of Palaces is a sweeping novel of interwoven lives: Miguel and Alicia; José, a boy as beautiful and lonely as a child in a fairy tale; the idealistic Francisco Madero, who overthrows Díaz but is nevertheless destroyed by the tyrant’s political system; and Miguel’s cousin Luis, shunned as a “sodomite.” A glittering mosaic of the colonial past and the wealth of the modern age, The City of Palaces is a story of faith and reason, cathedrals and hovels, barefoot street vendors and frock-coated businessmen, grand opera and silent film, presidents and peasants, the living and the dead. Winner, International Latino Book Award for Latino Fiction, Latino Literacy Now Second place, International Latino Book Award for Historical Fiction, Latino Literacy Now Finalist, Gay Fiction, Lambda Literary Awards Honorable Mention in Drama, Latino Books into Movies Award, International Latino Book Awards Best Books for General Audiences, selected by the American Association of School Librarians Outstanding Book, selected by the Public Library Reviewers
|Author||: Jonathan Daniel Wells|
|Editor||: Bold Type Books|
In a rapidly changing New York, two forces battled for the city's soul: the pro-slavery New Yorkers who kept the illegal slave trade alive and well, and the abolitionists fighting for freedom. We often think of slavery as a southern phenomenon, far removed from the booming cities of the North. But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club, historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circumvented anti-slavery laws by sanctioning the kidnapping of free and fugitive African Americans. Nicknamed "The New York Kidnapping Club," the group had the tacit support of institutions from Wall Street to Tammany Hall whose wealth depended on the Southern slave and cotton trade. But a small cohort of abolitionists, including Black journalist David Ruggles, organized tirelessly for the rights of Black New Yorkers, often risking their lives in the process. Taking readers into the bustling streets and ports of America's great Northern metropolis, The Kidnapping Club is a dramatic account of the ties between slavery and capitalism, the deeply corrupt roots of policing, and the strength of Black activism.
|Author||: Mitchell Newton-Matza|
The Espionage and Sedition Acts of 1917-1918 mark one of the most controversial moments in American history. Even as President Woodrow Wilson justified US entry into World War I on the grounds that it would "make the world safe for democracy," the act curtailed civil liberties at home by making it illegal to speak out against the US participation in the conflict. Supporters of the Acts argued that these measures were necessary to protect national security and keep in check the perceived threat of radical activities, while opponents considered them an unjustifiable breach of the Bill of Rights. The conflict between government powers and civil liberties concretized by the Acts continues to resonate today. The Espionage and Sedition Acts introduces students to this controversial set of laws, the cultural and political context in which they were passed, and their historical ramifications. In a concise narrative supplemented by primary sources including court cases, newspaper articles, and personal papers, Mitchell C. Newton-Matza gives students of history and politics a nuanced understanding of this key event.
Itinerarium totius Sacr Scriptur or The travels of the holy Patriarchs Collected out of the works of Henry Bunting and done into English by R B i e Richard Brathwait
|Author||: Heinrich BUENTING|
|Author||: Antony Dapiran|
|Editor||: Penguin Group Australia|
From the turbulent 1960s until today, Hong Kong has been a city shaped by civil disobedience. The latest wave of protests in Hong Kong’s long history of public dissent culminated in the Occupy Central movement of 2014. What emerges from these grassroots movements is a unique Hong Kong identity, one shaped neither by Britain nor China. An insightful exploration of the historical and social stimuli and implications of civil disobedience, City of Protest offers a compelling look at the often-fraught relationship between politics and belonging, and a city’s struggle to assert itself.
|Author||: Josh Hawley|
|Editor||: Simon and Schuster|
The reign of Big Tech is here, and Americans’ First Amendment rights hang by a keystroke. Amassing unimaginable amounts of personal data, giants like Google, Facebook, Amazon, and Apple—once symbols of American ingenuity and freedom—have become a techno-oligarchy with overwhelming economic and political power. Decades of unchecked data collection have given Big Tech more targeted control over Americans’ daily lives than any company or government in the world. In The Tyranny of Big Tech, Senator Josh Hawley of Missouri argues that these mega-corporations—controlled by the robber barons of the modern era—are the gravest threat to American liberty in decades. To reverse course, Hawley argues, we must correct progressives’ mistakes of the past. That means recovering the link between liberty and democratic participation, building an economy that makes the working class strong, independent, and beholden to no one, and curbing the influence of corporate and political elites. Big Tech and its allies do not deal gently with those who cross them, and Senator Hawley proudly bears his own battle scars. But hubris is dangerous. The time is ripe to overcome the tyranny of Big Tech by reshaping the business and legal landscape of the digital world.
|Author||: Tommaso Campanella|
The City of the Sun is a philosophical work by the Italian Dominican philosopher Tommaso Campanella. It is an important early utopian work. The work was written shortly after Campanella's imprisonment for heresy and sedition. The book is presented as a dialogue between "a Grandmaster of the Knights Hospitaller and a Genoese Sea-Captain". Inspired by Plato's Republic and the description of Atlantis in Timaeus, it describes a theocratic society where goods, women and children are held in common. It also resembles the City of Adocentyn in the Picatrix, an Arabic grimoire of astrological magic. In the final part of the work, Campanella prophesies —in the veiled language of astrology— that the Spanish kings, in alliance with the Pope, are destined to be the instruments of a Divine Plan: the final victory of the True Faith and its diffusion in the whole world. While one could argue that Campanella was simply thinking of the conquest of the New World, it seems that this prophecy should be interpreted in the light of a work written shortly before The City of the Sun, The Monarchy in Spain, in which Campanella exposes his vision of a unified, peaceful world governed by a theocratic monarchy.
Free Speech and the Federal Sedition Law as They Affect Distribution of Literature Upon the City Streets in War Time
|Author||: Barnet Hodes,Chicago (Ill.). Department of Law|
|Editor||: Liturgical Press|
Selections from the Pre-Nicene and Nicene eras.
|Author||: John Strausbaugh|
A refreshingly clearheaded and taboo-breaking look at race relations reveals that American culture is neither Black nor White nor Other, but a mix-a mongrel. Black Like You is an erudite and entertaining exploration of race relations in American popular culture. Particularly compelling is Strausbaugh's eagerness to tackle blackface-a strange, often scandalous, and now taboo entertainment. Although blackface performance came to be denounced as purely racist mockery, and shamefacedly erased from most modern accounts of American cultural history, Black Like You shows that the impact of blackface on American culture was deep and long-lasting. Its influence can be seen in rock and hiphop; in vaudeville, Broadway, and gay drag performances; in Mark Twain and "gangsta lit"; in the earliest filmstrips and the 2004 movie White Chicks; on radio and television; in advertising and product marketing; and even in the way Americans speak. Strausbaugh enlivens themes that are rarely discussed in public, let alone with such candor and vision: - American culture neither conforms to knee-jerk racism nor to knee-jerk political correctness. It is neither Black nor White nor Other, but a mix-a mongrel. - No history is best forgotten, however uncomfortable it may be to remember. The power of blackface to engender mortification and rage in Americans to this day is reason enough to examine what it tells us about our culture and ourselves. - Blackface is still alive. Its impact and descendants-including Black performers in "whiteface"-can be seen all around us today.
|Author||: Wendell Bird|
|Editor||: Harvard University Press|
The prosecution of dissent under the Alien and Sedition Acts affected far more people than previously realized. It also provoked the first battle over the Bill of Rights. Wendell Bird provides the definitive account of a dark moment in U.S. history, reminding us that expressive freedom and opposition politics are essential to a stable democracy.