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|Author||: John Hersey|
Hiroshima is the story of six people--a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest--who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize-winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
|Author||: John Hersey|
On August 6, 1945, Hiroshima was destroyed by the first atom bomb ever dropped on a city. This book, John Hersey's journalistic masterpiece, tells what happened on that day. Told through the memories of survivors, this timeless, powerful and compassionate document has become a classic "that stirs the conscience of humanity" (The New York Times). Almost four decades after the original publication of this celebrated book, John Hersey went back to Hiroshima in search of the people whose stories he had told. His account of what he discovered about them is now the eloquent and moving final chapter of Hiroshima.
|Author||: Michihiko Hachiya, M.D.|
|Editor||: UNC Press Books|
The late Dr. Michihiko Hachiya was director of the Hiroshima Communications Hospital when the world's first atomic bomb was dropped on the city. Though his responsibilities in the appalling chaos of a devastated city were awesome, he found time to record the story daily, with compassion and tenderness. His compelling diary was originally published by the UNC Press in 1955, with the help of Dr. Warner Wells of the University of North Carolina at Chapel Hill, who was a surgical consultant to the Atomic Bomb Casualty Commission and who became a friend of Dr. Hachiya. In a new foreword, John Dower reflects on the enduring importance of the diary fifty years after the bombing.
|Author||: Jess Brallier,Who HQ|
|Editor||: Penguin Workshop|
Hiroshima is where the first atomic bomb was dropped. Now readers will learn the reasons why and what it's meant for the world ever since. By August 1945, World War II was over in Europe, but the fighting continued between American forces and the Japanese, who were losing but determined to fight till the bitter end. And so it fell to a new president--Harry S. Truman--to make the fateful decision to drop two atomic bombs--one on Hiroshima and one on Nagasaki--and bring the war to rapid close. Now, even seventy years later, can anyone know if this was the right choice? In a thoughtful account of these history-changing events, Jess Brallier explains the leadup to the bombing, what the terrible results of it were, and how the threat of atomic war has colored world events since.
|Author||: Dolores Cannon|
|Editor||: Ozark Mountain Publishing|
The persistent memory of a horrible death, that reached across time and space, and caused a 22 year old American girl to seek past-life therapy, revealed the dramatic story of a Japanese man who was killed in the atomic bombing of Hiroshima. There have been many stories of pain, death and destruction told by survivors of the Hiroshima bombing. This is the eyewitness account of one who did not survive!This case revealed startling information about the Japanese side of the war. Research into the bombing also revealed terrible truths that the public was not aware of at the time of this dramatic ending of World War II.
|Author||: Stewart Ross|
|Editor||: Encyclopaedia Britannica|
Written in British English, Hiroshima tells the story of how the Japanese port city of Hiroshima came to be the target of the world's first nuclear attack.
|Author||: Lesley M.M. Blume|
|Editor||: Simon & Schuster|
A NEW YORK TIMES NOTABLE BOOK OF 2020 New York Times bestselling author Lesley M.M. Blume reveals how one courageous American reporter uncovered one of the deadliest cover-ups of the 20th century—the true effects of the atom bomb—potentially saving millions of lives. Just days after the United States decimated Hiroshima and Nagasaki with nuclear bombs, the Japanese surrendered unconditionally. But even before the surrender, the US government and military had begun a secret propaganda and information suppression campaign to hide the devastating nature of these experimental weapons. The cover-up intensified as Occupation forces closed the atomic cities to Allied reporters, preventing leaks about the horrific long-term effects of radiation which would kill thousands during the months after the blast. For nearly a year the cover-up worked—until New Yorker journalist John Hersey got into Hiroshima and managed to report the truth to the world. As Hersey and his editors prepared his article for publication, they kept the story secret—even from most of their New Yorker colleagues. When the magazine published “Hiroshima” in August 1946, it became an instant global sensation, and inspired pervasive horror about the hellish new threat that America had unleashed. Since 1945, no nuclear weapons have ever been deployed in war partly because Hersey alerted the world to their true, devastating impact. This knowledge has remained among the greatest deterrents to using them since the end of World War II. Released on the 75th anniversary of the Hiroshima bombing, Fallout is an engrossing detective story, as well as an important piece of hidden history that shows how one heroic scoop saved—and can still save—the world.
|Author||: Kenzaburo Oe,Kenzaburō Ōe|
|Editor||: Grove Press|
A study of the Hiroshima bombing and its aftermath provides an account of the victims, the efforts of caregivers, and the struggle to come to terms with the tragedy
|Author||: Michael D. Gordin,G. John Ikenberry|
|Editor||: Princeton University Press|
A multifaceted portrait of the Hiroshima bombing and its many legacies On August 6, 1945, in the waning days of World War II, the United States dropped an atomic bomb on the Japanese city of Hiroshima. The city's destruction stands as a powerful symbol of nuclear annihilation, but it has also shaped how we think about war and peace, the past and the present, and science and ethics. The Age of Hiroshima traces these complex legacies, exploring how the meanings of Hiroshima have reverberated across the decades and around the world. Michael D. Gordin and G. John Ikenberry bring together leading scholars from disciplines ranging from international relations and political theory to cultural history and science and technology studies, who together provide new perspectives on Hiroshima as both a historical event and a cultural phenomenon. As an event, Hiroshima emerges in the flow of decisions and hard choices surrounding the bombing and its aftermath. As a phenomenon, it marked a revolution in science, politics, and the human imagination—the end of one age and the dawn of another. The Age of Hiroshima reveals how the bombing of Hiroshima gave rise to new conceptions of our world and its precarious interconnectedness, and how we continue to live in its dangerous shadow today.
|Author||: Nakazawa Keiji|
|Editor||: Rowman & Littlefield Publishers|
This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. The narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on his own experiences before, during, and after the bomb. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.
|Author||: Marguerite Duras|
|Editor||: Open Road + Grove/Atlantic|
The award-winning screenplay for the classic film the New York Post hailed as “overwhelming . . . a motion picture landmark.” One of the most influential works in the history of cinema, Alain Renais’s Hiroshima Mon Amour gathered international acclaim upon its release in 1959 and was awarded the International Critics’ Prize at the Cannes Film festival and the New York Film Critics’ Award. Ostensibly the story of a love affair between a Japanese architect and a French actress visiting Japan to make a film on peace, Hiroshima Mon Amour is a stunning exploration of the influence of war on both Japanese and French culture and the conflict between love and inhumanity.
|Author||: Jason Hook|
Examines the events leading up to the bombing of Hiroshima on August 6, 1945, the day itself, and the ways in which people learned to live afterwards.
|Author||: Al Christman|
|Editor||: Naval Institute Press|
For better or worse, Navy captain William S. "Deak" Parsons made the atomic bomb happen. As ordnance chief and associate director at Los Alamos, Parsons turned the scientists' nuclear creation into a practical weapon. As weaponeer, he completed the assembly of "Little Boy" during the flight to Hiroshima. As bomb commander, he approved the release of the bomb that forever changed the world. Yet over the past fifty years only fragments of his story have appeared, in part because of his own self-effacement and the nation's demand for secrecy. Based on recently declassified Manhattan Project documents, including Parsons' logs and other untapped sources, the book offers an unvarnished account of this unsung hero and his involvement in some of the greatest scientific advances of the twentieth century.
|Author||: Yuko Shibata|
|Editor||: University of Hawaii Press|
National, disciplinary, and linguistic boundaries all play a role in academic study and nowhere is this more apparent than in traditional humanities scholarship surrounding the atomic bombing of Hiroshima and Nagasaki. How would our understanding of this seminal event change if we read Japanese and Euro-American texts together and across disciplines? In Producing Hiroshima and Nagasaki, Yuko Shibata juxtaposes literary and cinematic texts usually considered separately to highlight the “connected divides” in the production of knowledge on Hiroshima and Nagasaki, shedding new light on both texts and contexts in the process. Shibata takes up two canonical works—American journalist John Hersey’s account, Hiroshima, and French director Alain Resnais’ avant-garde film, Hiroshima Mon Amour—that are traditionally excluded from study in Japanese literature and cinema. By examining Hersey’s Hiroshima in conjunction with The Bells of Nagasaki (Nagai Takashi) and Children of the A-Bomb (Osada Arata), both Japanese bestsellers, Shibata demonstrates how influential Hersey’s Hiroshima has been in forging the normative narrative of the hibakusha experience in Japan. She also compares Hiroshima Mon Amour with Kamei Fumio’s documentary, Still It’s Good to Live, whose footage Resnais borrowed to depict atomic bomb victimhood. Resnais’ avant-garde masterpiece, she contends, is the palimpsest of Kamei’s surrealist documentary; both blur the binaries between realist and avant-garde representations. Reading Hiroshima Mon Amour in its historical context enables Shibata to offer an entirely new analysis of Renais’ work. She also delineates how Japanese films came to produce the martyrdom narrative of the hibakusha in the early postwar period. Producing Hiroshima and Nagasaki allows us to trace the complex and entangled political threads that link representations of Hiroshima and Nagasaki, reminding us that narratives and images deploy different effects in different places and times. This highly original approach establishes a new kind of transnational and transpacific studies on Hiroshima and Nagasaki and raises the possibility of a comparative area studies to match the age of world literature.
|Author||: Robert Jay Lifton|
|Editor||: Univ of North Carolina Press|
In Japan, "hibakusha" means "the people affected by the explosion--specifically, the explosion of the atomic bomb in Hiroshima in 1945. In this classic study, winner of the 1969 National Book Award in Science, Lifton studies the psychological effects of the bomb on 90,000 survivors. He sees this analysis as providing a last chance to understand--and be motivated to avoid--nuclear war. This compassionate treatment is a significant contribution to the atomic age.
|Author||: Anthony Drago,Douglas Wellman|
|Editor||: BQB Publishing|
On August 6, 1945, 22-year-old Kaleria Pachikoff was doing pre-breakfast chores when a blinding flash lit the sky over Hiroshima, Japan. A moment later, everything went black as the house collapsed on her and her family. Their world, and everyone else's, changed as the first atomic bomb was detonated over a city. From Russian nobility, the Palchikoff's barely escaped death at the hands of Bolshevik revolutionaries until her father, a White Russian officer, hijacked a ship to take them to safety in Hiroshima. Safety was short lived. Her father, a talented musician, established a new life for the family, but the outbreak of World War II created a cloud of suspicion that led to his imprisonment and years of deprivation for his family. After the bombing, trapped in the center of previously unimagined devastation, Kaleria summoned her strength to come to the aid of bomb victims, treating the never-before seen effects of radiation. Fluent in English, Kaleria was soon recruited to work with Gen. Douglas MacArthur’s occupation forces in a number of secretarial positions until the family found a new life in the United States. Heavily based on quotes from Kaleria's memoirs written immediately after World War II, and transcripts of United States Army Air Force interviews with her, her story is an emotional, and sometime chilling, story of courage and survival in the face of one of history’s greatest catastrophes.
|Author||: Lisa Yoneyama|
|Editor||: Univ of California Press|
Remembering Hiroshima, the city obliterated by the world's first nuclear attack, has been a complicated and intensely politicized process, as we learn from Lisa Yoneyama's sensitive investigation of the "dialectics of memory." She explores unconventional texts and dimensions of culture involved in constituting Hiroshima memories—including history textbook controversies, discourses on the city's tourism and urban renewal projects, campaigns to preserve atomic ruins, survivors' testimonial practices, ethnic Koreans' narratives on Japanese colonialism, and the feminized discourse on peace—in order to illuminate the politics of knowledge about the past and present. In the way battles over memories have been expressed as material struggles over the cityscape itself, we see that not all share the dominant remembering of Hiroshima's disaster, with its particular sense of pastness, nostalgia, and modernity. The politics of remembering, in Yoneyama's analysis, is constituted by multiple and contradictory senses of time, space, and positionality, elements that have been profoundly conditioned by late capitalism and intensifying awareness of post-Cold War and postcolonial realities. Hiroshima Traces, besides clarifying the discourse surrounding this unforgotten catastrophe, reflects on questions that accompany any attempts to recover marginalized or silenced experiences. At a time when historical memories around the globe appear simultaneously threatening and in danger of obliteration, Yoneyama asks how acts of remembrance can serve the cause of knowledge without being co-opted and deprived of their unsettling, self-critical qualities.
|Author||: Michiko Midge Ayukawa|
|Editor||: UBC Press|
Hiroshima Immigrants in Canada, 1891-1941 is a fascinating investigation of Japanese migration to Canada prior to the Second World War. It makes Japanese-language scholarship on the subject available for the first time, and also draws on interviews, diaries, community histories, biographies, and the author's own family history. Starting with the history of the feudal fiefs of Aki and Bingo, which were merged into Hiroshima prefecture, Ayukawa describes the political, economic, and social circumstances that precipitated emigration between 1891 and 1941. She then examines the lives and experiences of those migrants who settled in western Canada. Interviews with three generations of community members, as well as with those who never emigrated, supplement research on immigrant labour, the central role of women, and the challenges Canadian-born children faced as they navigated life between two cultures. This book is a must-read for scholars of migrations, diaspora, and transnationalism, and will also be of great interest to general readers who wish to learn more about the lives and experiences of Japanese Canadians.